jueves, enero 28, 2016
miércoles, abril 14, 2010
jueves, febrero 18, 2010
martes, enero 26, 2010
Love anything and your heart will be wrung
and possibly broken. if you want to make sure
of keeping it intact you must give it to no one,
not even an animal. wrap ir carefully round
with hobbies and little luxuries;
avoid all entanglements.
lock it up safe in the casket
or coffin of your selfishness.
but in that casket, safe, dark,
motionless, airless, it will change.
it will not be broken; it will become unbreakable,
impenetrable, irredeemable.
to love is to be vulnerable.
-- C. S. Lewis.
sábado, enero 02, 2010
.
martes, diciembre 29, 2009
The Flowers that I Left in the Ground
The flowers that I left in the ground,
that I did not gather for you,
today I bring them all back,
to let them grow forever,
not in poems or marble,
but where they fell and rotted.
And the ships in their great stalls,
huge and transitory as heroes,
ships I could not captain,
today I bring them back
to let them sail forever,
not in model or ballad,
but where they were wrecked and scuttled.
And the child on whose shoulders I stand,
whose longing I purged
with public, kingly discipline,
today I bring him back
to languish forever,
not in confession or biography,
but where he flourished,
growing sly and hairy.
It is not malice that draws me away,
draws me to renunciation, betrayal:
it is weariness, I go for weariness of thee.
Gold, ivory, flesh, God, blood, moon --
I have become the expert of the catalogue.
My body once so familiar with glory,
my body has become a museum:
this part remembered because of someone's mouth,
this because of a hand,
this of wetness, this of heat.
Who owns anything he has not made?
With your beauty I am as uninvolved
as with horses' manes and waterfalls.
This is my last catalogue.
I breathe the breathless
--
and let you move forever.
The flowers that I left in the ground,
that I did not gather for you,
today I bring them all back,
to let them grow forever,
not in poems or marble,
but where they fell and rotted.
And the ships in their great stalls,
huge and transitory as heroes,
ships I could not captain,
today I bring them back
to let them sail forever,
not in model or ballad,
but where they were wrecked and scuttled.
And the child on whose shoulders I stand,
whose longing I purged
with public, kingly discipline,
today I bring him back
to languish forever,
not in confession or biography,
but where he flourished,
growing sly and hairy.
It is not malice that draws me away,
draws me to renunciation, betrayal:
it is weariness, I go for weariness of thee.
Gold, ivory, flesh, God, blood, moon --
I have become the expert of the catalogue.
My body once so familiar with glory,
my body has become a museum:
this part remembered because of someone's mouth,
this because of a hand,
this of wetness, this of heat.
Who owns anything he has not made?
With your beauty I am as uninvolved
as with horses' manes and waterfalls.
This is my last catalogue.
I breathe the breathless
--
and let you move forever.
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